Top 100, A-E


Airplane - “Surely”, this has to be on here.  Started a new comedy spoof genre modernizing the Mel Brooks style lampoon. And Airplane is the best of all the rest to come. Unprecedented nonsense - “looks like I picked the wrong week to stop sniffing glue” Director: Jerry Zucker, Cast: Robert Hayes, Julie Hagerty, Kareem Abdul Jabar, Loyd Bridges. 1980




Alien - One of the best in the science-fiction/horror genre.  The crew of the cargo ship Nostromo lands on a barren planet in response to an SOS signal only to encounter an acid-dripping alien killing machine.  Unlike its revved-up sequel Aliens, Alien is slow paced tenseness as the crew attempts to search and destroy but finds themselves the hunted instead of the hunters. Director: Ridley Scott Cast: Sigourney Weaver, Tom Skerritt. 1979


Aliens - Rarely is the sequel better than the first but Aliens is the exception. From where Director Ridley Scott left off with the horror of a single, inexplicable monster in Alien, director James Cameron speeds up the action using legions of monster bugs with Ripley (the lone survivor from the previous encounter) embedded with high-tech Marines to battle them.  This is a modern sci-fi classic and one of my favorite movies of all time.  Intense suspense with muscular story telling - Vasques (Janette Goldstein) and Hicks (Biehn) are my personal heroes.  Enjoy, and “stay frosty”. Director: James Cameron Cast: Sigorney Weaver, Carrie Henn, Michael Biehn, 1986



All of Me - Ridiculous, outlandish... All of Me gives Steve Martin the vehicle to display his outrageous physical comedy skills as a lawyer with a dead women’s spirit inhabiting the right side of his body (I told you it was ridiculous).  LIly Tomlin is Martin’s right half and Richard Libertini is hilarious as the screwy guru who goofed up the spiritual transfer that caused the mess. Super funny with heart and a great theme song.  Director : Carl Reiner, Cast: Steve Martin, Lily Tomlin, Madolyn Smith, 1984

Amadeus - I’ll choose magnificent to describe Amadeus.  It’s more than just beautiful to the eye and ear - its first-rate story telling (the script is a mix of fiction and fact as with most historically-themed films) with a first-rate cast to carry it along.  The film captures the essence of genius creativity and places it interestingly in a story of greater and lesser talents, and the cupidity of those on the short end of the genius stick. Director : Milos Forman, Cast: Tom Hulce, F. Murray Abraham. 1984

American Graffiti - Sorry George, Star Trek doesn’t make the list (I can hear the readers’ gasps now) - but American Graffiti does. Graffiti depicts one night in the lives of several recent 1962 high-school graduates - following their stories simultaneously.  I lived just enough in the 60‘s to catch the nostalgia. But beyond that, Graffiti is just a great film - funny and serious at the same time - bittersweet.  Great cast including a young Harrison Ford. Good, good, good film. Director: George Lucas, Cast: Ron Howard, Richard Dreyfuss. 1973




Arsenic and Old Lace -
Ok, Cary Grant is a bit over blown in this - but its just plain funny and the macabre activity of the old ladies around which the movie swirls gives it a slap-sticky, odd, and delightful feel.  Early-film black comedy I guess, and great fun.  Director: Frank Capra, Cast: Carry Grant, Priscilla Lane. 1944






The Aviator  - Aviator has an old-style Hollywood production feel but with the Scorsese flair.  It’s big and ambitious with edge - that’s a perfect combo.  I’m not a huge DeCaprio fan, but he delivers an engrossing performance as Howard Hughes.  The script is great and the supporting cast superb - particularly Alec Baldwin, as Juan Trippe, founder of Pan American World Airways.  You ride Hughes’ roller coaster of super highs and seemingly bottomless lows.  Great film. Director: Martin Scorsese, Cast: Leonardo DiCaprio, Cate Blanchett. 2004



Beauty and the Beast - The best of Disney’s animated features in my opinion.  The combination of superb artistry with computer-generated images just made this a beautiful thing to watch.  It is the complete package - elegant animation, charm, wit and great songs.  The music really forces this one into the top 100 with Robbie Benson, of all people singing... go figure.  Director: Gary Trousdale, Cast: Robbie Benson, Paige O’Hara, Angela Lansbury. 1991

Batman Begins - My favorite of all the super hero movies. No cartoony stuff here - no Arnold as Mr. Freeze or DeVito’s sad attempt at a penguin.  The show is elevated in my book by its seriousness and superb balance.  It is a dark drama that tells a solid story of Batman’s origin and motives.  The action is surrounded by plot and character.  It’s careful and precise.  Bale is outstanding as the Dark Knight.  They finally got it right... an intelligent super hero flick.  Director: Christopher Nolan Cast: Christian Bale, Katie Holmes. 2005

Being There - Unique for its subtle and persistent satirical tone - no slapstick needed, it just moves forward, becoming more ludicrous as it goes until the last cryptic scene. I’ve never seen any movie quite like Being There.  Peter Sellers is fascinating as Chance, a simple-minded gardener, raised in isolation and educated only by the TV. Part of the films intrigue is the ambiguousness of its motive and meaning - What is Chance doing on the lake in the end? I have my opinion - what’s yours?  Director: Hal Ashby, Cast: Peter Sellers, Shirley MacLaine, Melvyn Douglas. 1979

Blood Simple - The Coen Brothers first film and the start of their trademark approach - original and ultra-dark humor presented in super-interesting and odd contexts.  Simple is sometimes so slow its painful, but the suspense and tension that is built up in its strange pace is powerful.  Its all a complex set of knots of deceit and double cross - every thing seems to make sense in this movie and yet nobody knows what’s going on. Note how many shots they take through fan blades.  Director: Joel Coen Cast: John Getz, Frances McDormand, 1984

Butch Cassidy and the Sundance Kid - My favorite buddy movie.  The western that changed westerns.  Some point to the anachronistic sound track and the comic components of the film as flaws. But this was new-style western - classic adventure mixed with coolness and an off-beat rhythm.  The chemistry of the two stars is unmatched and Butch and Sundance freeze-framed in time at the end is classic unforgettable.    Director: George Roy Hill, Cast: Paul Newman, Robert Redford. 1969


Cinderella Man - My favorite boxing movie. Ok, I admit it - I’m a fan of the sport, but this movie is still great.  Based on the true Cinderella story of Jim Braddock, a depression-era boxer who carried, for a brief time, the hopes of the nation’s underdog masses.  I knew how the story ended, but it didn’t matter - I was in front of the screen hoping, fists pumping with left hooks and upper cuts, that Braddock could some how pull it off.  That’s what a top-100 movie can do.  Great realism in the ring scenes - maybe the best I’ve seen - beautifully shot.  Director: Ron Howard, Cast: Russell Crowe, Renee Zellwegger. 2005



A Clockwork Orange - I’ve given some thought about whether to include this film in my list or not.  I’m sort of embarrassed to do it.  I was, at once, revolted and mesmerized by this film.  Orange is a discomforting satire of crime and punishment, based on a novel by Anthony Burgess.  Its controversial, unsettling and shocking - and disturbs more than entertains - so what is this film doing on my list?  I guess its here because I found the film to be strangely and undeniably overwhelming  - contemptible yet fascinating. I cannot recommend it but I cannot forget it. Director: Stanley Kubrick  Cast: Malcolm McDowell, Patrick Magee, 1971

The Color or Money - Are you one of those who thinks Tom Cruise can’t act? - watch this film. And Paul Newman is even better.  Money starts some time after Robert Rossen's 1961 film The Hustler ends. The middle-aged Fast Eddie Felson tries to relive his past through a young pool hustler (Tom Cruise) becoming the punk’s mentor and manger. Solid picture - tense and complex revival of a great character.  Pulled off without sentimentality. Director: Martin Scorsese,  Cast: Paul Newman, Tom Cruise. Helen Shaver. 1986

Contact - This is a special movie to me.  The interplay of science (understanding based on observation) and spirituality has permeated my mind for most of my life.  Contact is about the search for life outside of our little planet.  But the movie is more about ideas of fact, faith, and human nature, rather than the potential scariness or oddities of life beyond ours. The movie has the depth that you would expect from a product based on Carl Sagan’s work.  A science-fiction core wrapped in a discussion of what we believe and why.  Director: Robert Zemickis Cast: Jodie Foster, Matthew McConaughey. 1997

Dave - My best political comedy award goes to “Dave”. Ok, its a bit gushy as it raises the flag for common decency - but Kline and Sigourney Weaver are great in this comedy centered around an ordinary man becoming extraordinary due to circumstance and substance.  Kevin Kline is Dave, a temp-service business owner who happens to look exactly like the President of the United States.  When the President has a stroke, his handlers, worried about the impacts the event would have on the Nation and party, clandestinely enlist Dave to take his place while they figure out what to do... you imagine the rest.  Better yet, go rent the movie; it’s a delightful feel good fable.  Director: Ivan Reitman, Cast: John Kline, Sigorney Weaver.  1993




Dangerous Liaisons - Liaisons is a story of cold blood and it’s so good that you feel the blood cooling as you watch.  Two 18th century French Aristocrats scheme to take revenge for a love gone bad by manipulating another through love and lust.  The France-landscape backdrop is stunning and everything from the staging to the lighting fits tight and right in this film.  Of course, when bad people do bad things to good people there is usually a price to pay.  Liaison displays a great tragic tale with big emotional body blows at the end.   Director: Stephen Frears, Cast: John Malkovich, Michelle Pfeiffer, Glenn Close, 1988     


The Dead Zone - Best film adaptation of Stephen King’s work (in my humble opinion) and also a classic Christopher Walken role. Walken plays a man who awakens from a five-year, accident-induced coma to find that he now has an extra-sensory gift - he can tell a person's fate just by touching them.  But he also discovers that fate can be changed.  Dead Zone is deadly chilling as its main character tries to retreat from his curse - only to have his own fate defined when he shakes a presidential candidate’s (Martin Sheen) hand.  Director David Cronenberg: Cast: Christopher Walken, Brooke Adams, Martin Sheen 1983


Eight Men Out - This is my selection for best baseball movie ever. Forget Bull Durham and Field of Dreams, Kevin Costner can’t hold director John Sayles jock in this category.  Eight Men Out chronicles one of the darkest moments in the history of baseball and sport -1919's infamous Black Sox scandal where eight players of the Chicago White Sox agreed to throw the World Series.  The movie is more a story of human tragedy than baseball - but both components are superb... “Say it ain’t so Joe” . Director John Sayles:  Cast: John Cusack, Charlie Sheen, 1988

The Emperor’s New Groove - Groove is one of the smartest and funniest animated features I’ve seen - laugh out loud, slap your thigh funny.  Great mix of characters placed in a very fast paced adventure.  Groove has the smart, grown up comedy of a Warner Brothers Looney Tunes cartoon combined with the charm and visual flare of its Disney source. It’s not grandiose, its just good.  Director:  Cast: Marc Dindal, Cast: David Spade, John Goodman. 2000

Enemy at the Gates - I've never been quite sure why the critics disliked this film... as I found Enemy’s harsh feel and tragic drama difficult to forget.  The story is one of a sniper duel running within the WWII battle of Stalingrad, pitting a young Russian sniper against the best the Germans have. The two play a deadly game of cat-and-mouse in the ruins of the city which makes you feel as if the entire war has been reduced to this single personal battle.  Director: Jean-Jacques Annaud. Cast: Jude Law, Joseph Fiennes, 2001
 

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